Over the last few decades, the term “diaspora” has rapidly spread and expanded to take on multiple meanings both inside and outside of academic disciplines.
As someone who attended Armenian private school, I consider the preservation of Armenian culture an extremely important matter. Preserving Armenian culture, or hayabahbanum, was a constant topic of conversation throughout my primary education – among friends, in class, and in public lectures; it was keenly emphasized for us as children and ingrained in our education.
Confronting the Limits of Culture and Identity in Arpine Konyalian Grenier’s The Concession Stand: Exaptation at the Margins
In her 2011 publication, The Concession Stand: Exaptation at the Margins, Arpine Konyalian Grenier sets out to puncture rigid formulations of identity that would classify her as an Armenian-American poet. As an Armenian born in Lebanon and living and producing in the United States, Grenier seeks to dismantle reductive formulations of hyphenated identity.
Filmic Approaches to Catastrophe: Narrative and Trauma in Levon Minasian’s Le Piano and Eric Nazarian’s Bolis
This year’s Arpa International Film Festival featured two short films with a storyline informed by an historic catastrophe: Levon Minasian’s Le Piano depicts the musical aspirations and struggles of a child virtuoso, Loussiné, who was orphaned after the earthquake in Leninakan, Armenia in 1988; Eric Nazarian’s Bolis follows the journey of an Armenian oud player, Armenak, who visits Istanbul to perform in an oud festival and find the site of his grandfather’s pre-Genocide oud shop.
Regardless of your views on assisted suicide, you probably have an opinion about Jack Kevorkian. He was one of those people who, while sometimes courting controversy for the sake of notoriety, at the same time seemed to advocate for something he believed in very strongly – what he considered the very basic human right of the terminally ill to end their pain and suffering through doctor-assisted suicide.
This spring marks the end of renowned historian Richard Hovannisian’s time at UCLA, where he has been a member of the faculty since 1962 and the first holder of the Armenian Education Foundation (AEF) Chair in Modern Armenian History since 1987. Those who are familiar with Hovannisian’s prolific record as a writer, editor, lecturer, organizer, and professor, might endow the news of his retirement with a hint of euphemism. In fact, during the recent event, “Forever our Professor,” organized in Hovannisian’s honor by his recent and former students, the beloved professor announced that he would return to the UCLA campus the following year to teach a course in Comparative Genocide Studies.
This year, April 24 falls on Easter Sunday, a coincidence that is symbolically significant, at once tragic and hopeful. Naturally, the confluence also presents scheduling difficulties for many members of the Armenian community. In recognition of that fact, the commemoration program at the Genocide memorial in Montebello, California, for example, will take place the day before, on April 23rd.
On January 19, 2011, the University of California, Los Angeles hosted a lecture by UC Davis Art History Professor Heghnar Zeitlian Watenpaugh, entitled “Heritage in Conflict: The Modern Life of a Medieval Manuscript.” Watenpaugh’s lecture focused on the conflict surrounding the seven detached leaves of Canon Tables belonging to the Zeytʿun Gospels, which recently resurfaced after their mysterious disappearance half a century ago. In 1994, these missing pages were loaned by an anonymous collector to the Morgan Library in New York for a public exhibition. The same year, the J. Paul Getty Museum in Los Angeles claimed to have legally acquired the Canon Tables – presumably from the same unnamed collector – for an unclosed sum of money. Last year, the Western Prelacy of the Armenian Apostolic Church of America filed a lawsuit against the J. Paul Getty Museum challenging its ownership of the Canon Tables and demanding their return. The Canon Tables were separated from the original Zeyt’un Gospels, currently housed in the Maštoc’ Matenadaran (Ms. 10450) in Yerevan Armenia, during the Armenian Genocide.