Have you ever felt that contemporary philosophy is useless? That you do not have the time to think about the intangible and unimportant questions that it asks?
As someone who attended Armenian private school, I consider the preservation of Armenian culture an extremely important matter. Preserving Armenian culture, or hayabahbanum, was a constant topic of conversation throughout my primary education – among friends, in class, and in public lectures; it was keenly emphasized for us as children and ingrained in our education.
Confronting the Limits of Culture and Identity in Arpine Konyalian Grenier’s The Concession Stand: Exaptation at the Margins
In her 2011 publication, The Concession Stand: Exaptation at the Margins, Arpine Konyalian Grenier sets out to puncture rigid formulations of identity that would classify her as an Armenian-American poet. As an Armenian born in Lebanon and living and producing in the United States, Grenier seeks to dismantle reductive formulations of hyphenated identity.
Filmic Approaches to Catastrophe: Narrative and Trauma in Levon Minasian’s Le Piano and Eric Nazarian’s Bolis
This year’s Arpa International Film Festival featured two short films with a storyline informed by an historic catastrophe: Levon Minasian’s Le Piano depicts the musical aspirations and struggles of a child virtuoso, Loussiné, who was orphaned after the earthquake in Leninakan, Armenia in 1988; Eric Nazarian’s Bolis follows the journey of an Armenian oud player, Armenak, who visits Istanbul to perform in an oud festival and find the site of his grandfather’s pre-Genocide oud shop.
Regardless of your views on assisted suicide, you probably have an opinion about Jack Kevorkian. He was one of those people who, while sometimes courting controversy for the sake of notoriety, at the same time seemed to advocate for something he believed in very strongly – what he considered the very basic human right of the terminally ill to end their pain and suffering through doctor-assisted suicide.