Tag Archives: Harmandayan

Theatre Review: Safe Path For ‘Perils’

ven at its height, the Armenian literary renaissance of the 19th century did not produce many dramatists, but it did beget Hagop Baronian, who remains our best known – if not best – satirist. Baronian’s milieu was the Bolis – or Constantinople – of the Ottoman Era, and his writing was devoted to skewering the Armenian bourgeoisie that burgeoned there during the decades preceding massacres and genocide.

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